Opera in five acts and seven tableaux by Camille Saint-Saëns
Libretto, by Louis Gallet, is based on the 1852 play Benvenuto Cellini by Paul Meurice. First performed on March 21, 1890, at the Académie Nationale de Musique in Paris.
In coproduction with the Haute école de musique de Genève
Sung in French with English and French surtitles
Of the thirteen operas by Saint-Saëns, just one, Samson, remains in the repertoire, while another, Ascanio, is yet to be showcased in its complete, original version. And yet the eponymous play by Paul Meurice, based on the memoires of Benvenuto Cellini, inspired the composer to produce an extraordinary work, blending – in a masterful tapestry of leitmotifs – the sensuality of French music, the passionate accents of Italian lyricism and the refinement of the melodies and dances of the Renaissance repertoire. Far from the hieratic style of Samson, Ascanio is a true lyrical drama during which Benvenuto Cellini, envied for his genius, prestige and the power he holds over the King of France, triumphs over the court intrigues by saving his disciple Ascanio, whose life is in danger...
|Musical Director||Guillaume Tourniaire|
|Grand Théâtre Opera Chorus |
Director Alan Woodbridge
|Orchestre symphonique de la HEM|